Álbum Bigger Bach Set by Bach

Álbum Bigger Bach Set by Bach - Letras de Canciones del Álbum

Descubre todas las letras de las canciones de Bigger Bach Set de Bach. En este álbum, Bach presenta una colección única de canciones que exploran [tema central del álbum o estilo musical]. Aquí podrás encontrar las letras completas de todas las canciones del álbum, con detalles y análisis para que disfrutes de su música de una manera más profunda. Si eres fan de Bach, no te pierdas la oportunidad de conocer las letras de cada tema que forma parte de este increíble álbum. ¡Explora la música, entiende el mensaje y canta junto a Bach!

Letras de Canciones del álbum:

#

Título de la Letra

Artista

Álbum

1

Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903)

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2

Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: ii. Fugue (BWV948)

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3

Italian Concerto, BWV971: i. Allegro

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4

Italian Concerto, BWV971: ii. Andante

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5

Italian Concerto, BWV971: iii. Presto

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6

Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to persuade him not to undertake the journey)

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7

Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde konnten vorfallen (They tell him of the various misfortunes that may befall him abroad)

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8

Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iii. Adagiosissimo: Ist ein allgemeines Lamento der Freunde (The general lament of his friends)

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9

Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch sehen, daß es sanders nicht sein kann) und nehmen Abschied (His friends come, since they see that it must be)

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10

Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: v. Allegro poco: Aria di Postiglione

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11

Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: vi. Fuga all' imitatione della cornetta di Postiglione

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12

Sonatina, from Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit (Trinity), BWV106," arr. Friskin

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13

Toccata in C Minor, BWV911

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14

French Suite No. 3 in B Minor BWV814: i. Allemande

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15

French Suite No. 3 in B Minor BWV814: ii. Courante

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16

French Suite No. 3 in B Minor BWV814: iii. Sarabande

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17

French Suite No. 3 in B Minor BWV814: iv. Menuet and Trio

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18

French Suite No. 3 in B Minor BWV814: v. Gavotte

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19

French Suite No. 3 in B Minor BWV814: vi. Gigue

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20

French Suite No. 4 in E-flat Major, BWV815: i. Allemande

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21

French Suite No. 4 in E-flat Major, BWV815: ii. Courante

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22

French Suite No. 4 in E-flat Major, BWV815: iii. Sarabande

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23

French Suite No. 4 in E-flat Major, BWV815: iv. Gavotte

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24

French Suite No. 4 in E-flat Major, BWV815: v. Air

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25

French Suite No. 4 in E-flat Major, BWV815: vi. Menuet

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26

French Suite No. 4 in E-flat Major, BWV815: vii. Gigue

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27

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme

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28

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt

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29

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil

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30

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper's Awake')

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31

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir

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32

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein!

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33

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen

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34

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: i. Sinfonia in E Minor; Chorus: Christ lag in Todesbanden

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35

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt

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36

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn

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37

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iv. Chorus: Es war ein wunderlicher Krieg

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38

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm

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39

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vi. Duet (Soprano, Tenor): So feiern wir das hohe Fest

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40

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vii. Chorus: Wir essen und leben wohl

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41

Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: i. Chorale: Das neugeborne Kindelein

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42

Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sündigt

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43

Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Engel, welche sich zuvor

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44

Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor): Ist Gott versöhnt

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45

Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den selbst der Herr gemacht

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46

Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: vi. Chorale: Es bringt das rechte Jubeljahr

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47

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: i. Chorale: Ich freue mich in dir

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48

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib

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49

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken

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50

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iv. Aria (Soprano): Wie lieblich klingt es in den Ohren

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